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Leon Gieco La Historia Esta Vol 4 1998 EAC FLAC

October 28, 2017, 5:13 pm
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Music | Latin American | Lossless | 340.72 MB




Leon Gieco - La Historia Esta Vol.4 (1998)
EAC rip (secure mode) | FLAC+CUE+LOG -> 340 Mb
Artwork (jpg)


"The History This" (La Historia Esta) is the third compilation album of the Argentine singer-songwriter Leon Gieco. It was released in 1998 by Leon's own label, Cañada Records, and the production was jointly produced by Gieco and the newspaper Page 12. The album consists of seven volumes that compile recordings made by the musician over the years and which are part of his private collection. Most are live and unreleased recordings, or collaborations on albums by other artists such as: David Byrne, Joan Manuel Serrat, Charly Garcia, Mercedes Sosa, Luis Alberto Spinetta, Lolita Torres, Milton Nascimento, Andrés Calamaro, Pedro Aznar, Adriana Varela , Sui Generis, Ruben Rada, Pablo Milanés, Chico Buarque, Sixto Palavecino, Ariel Ramírez, Silvina Garré, Juan Carlos Baglietto, Lito Nebbia, Horacio Guaraní, Celeste Carballo, Piero, Los Caballeros de la Quema, Raúl Porchetto and Nito Mestre.


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Tracklist:
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1. Indio hermano (Los Jaivas) [05:57]
*con Los Jaivas. Del CD "Trilogía-El reencuentro" 1997

2. Bajo el sol de Bogotá (León Gieco - Luis Gurevich) [02:54]
*con Frank Viehweig. En vivo en Alemania. Versión inédita

3. El fantasma de Canterville (Charly García) [03:29]
*con grupo Tercer Mundo. En vivo en Quito, Ecuador, Junio de 1996

4. Un poco de compresión [Las dulces promesas] (León Gieco) [03:02]
*con Charly García. En estudios. Febrero de 1978.
Del LP "Música del Alma", 1980

5. Iba acabándose el vino (Charly García) [03:49]
*PorSuiGieco. En estudios. Febrero de 1978.
Del LP "Música del Alma", 1980

6. Que se abra Buenos Aires (Palo Pandolfo - Horacio Dubosq) [05:09]
*con Los Visitantes. Del CD "Maderita" 1996

7. Nosotros nos quedamos (Armando Tejada Gómez - León Gieco) [03:31]
*En vivo . Grabado en Vélez -Concierto "Corazón Americano"

8. Por el camino perdido (León Gieco) [03:09]
*Ensayo. Abril de 1981Versión inédita

9. La cultura es la sonrisa (León Gieco) [02:07]
*con Rubén Rada. Programa De igual a igual, Montevideo, Uruguay.
Versión inédita

10. Cola de amor (León Gieco) [04:04]
*con el Coro Procanto. Del CD "Una canción debida" 1995

11. Paraguayita linda (Samuel Aguayo) [01:01]
*Guitarreada informal en un campo cercano a Olavarría, Febrero de 1978.
Tema nunca grabado oficialmente por León Gieco

12. En la lluvia y nada más (Gabriela Molinari) [03:29]
*En vivo en Olavarría, Febrero de 1978.
Tema nunca grabado oficialmente por León Gieco

13. El loco y las golondrinas (León Gieco) [03:53]
*En vivo en Olavarría, Febrero de 1978. Versión inédita

14. Y las aves vuelan (León Gieco - Nito Mestre) [03:12]
*con Nito Mestre. León Gieco con Nito Mestre y Aníbal Forcada

15. Tocando el cielo (León Gieco - Nito Mestre) [04:30]
*con Nito Mestre. Del LP "Tocando el cielo" 1991

16. Todos los caballos blancos (León Gieco) [02:26]
*En TV en Chile, 1982. Versión inédita

17. En el país de la libertad (León Gieco) [04:06]
*con Tancredo. En vivo. Oliverio Allways, Buenos Aires.
Versión inédita

18. Bienvenidos al tren (Charly García) [03:11]
*con Sui Generis. Del LP "Confesiones de invierno" 1973

*Cañada Records / 1998



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Torment Experience A New Dimension Of Fear 1991

October 28, 2017, 5:33 pm
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Music | Metal | MP3/Variable | 118.54 MB

https://www.discogs.com/Torment-Experience-A-New-Dimension-Of-Fear/master/314514
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Tracklist
Intro 2:19
Acid Rain 1:18
Religious Insanity 5:07
Shop ´Till Ya Drop 3:32
Motörhead 2:32
Chainsaw Massacre 3:33
Drunken Torment 2:34
Cry For Justice 7:52
Slaves Of Technology 3:24
Das Neue 3:31
Ballad Of Peter's Dog 4:02
Stray Cat / State Of War 3:33
Liebe Freunde Von Torment 1:48
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Flaming Lips Eurekaire

October 28, 2017, 6:04 pm
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Music | Alternative | Other quality | 169.24 MB

Eurekaire - To celebrate the 20th anniversary of Zaireeka I thought I'd share my compilation of the albums b-sides. I've dug deep and wide to find some gems.

1. How They Get There
2. Headphones Theme From Seemingly Infinity
3. How Will We Know ?
4. Spontaneous Composition in Oklahoma Room # 3 (in A Minor) (Stereo Mix)
5. Should We Keep The Severed Head Awake (Soniclovenoize Mix)

Credits / Source:
1. Credit music for Spike Jones' short film How They Get There
Taken from "The Work of Director Spike Jonze" 2-DVD set
2. Steven Drozd: Drums, Piano, Mellotron, Guitars, Etc.
James Honderich: Violin
Wayne Coyne: Immoral support
Taken from "Flyin' Traps"
3. Instrumental, possibly a demo, DVD menu music
Taken from "Zaireeka 10th Anniversary" DVD
4. Official stereo mix of a multi-track performance on April 10, 1999
Taken from "(3) Circuit (This Is Music DVD. All You Can Eat)"
5. First presented live 10/20/1996 in a parking lot in Oklahoma City, OK
Taken from "The Parking Lot Tapes" Mixed for you listening pleasure by Soniclovenoize

Note: This is presented in lossless form when possible. For convenience I've converted the DVD soured files to mp3. I've also include the original ac3 files for the purest out there.
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Spooky Sounds For Halloween

October 28, 2017, 6:08 pm
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Music | Other | MP3/Over 256Kbps | 124.54 MB

Spooky Sounds For Halloween

Various-01.Zombie Walk.mp3
Various-02.Scary Wind.mp3
Various-03.Terrifying Night.mp3
Various-04.Getting Closer.mp3
Various-05.Bloody Lullaby.mp3
Various-06.07.I'm Afraid-Halloween Music.mp3
Various-08.Haunted House.mp3
Various-09.Spooky Melodies.mp3
Various-10.Fear Has Big Eyes.mp3
Various-11.Scary Monsters.mp3
Various-12.13.Screaming Voices-Dark Night.mp3
Various-14.Halloween Sounds.mp3
Variuos-15.Vampires Attack.mp3
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Vivaldi Premieres Violin Concertos Sonatas Lina Tur Bonet 2014 FLAC

October 28, 2017, 6:34 pm
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Music | Classical | Lossless | 316.26 MB



Artist: Lina Tur Bonet and Musica Alchemica
Album: Vivaldi Premieres': Violin Concertos & Sonatas / Lina Tur Bonet, violin; Musica Alchemica
Year Of Release: 2014
Label: Pan Classics
Genre: Classical
Quality: Lossless FLAC
Total Time: 00:59:12

This ‘Premieres’ program dedicated to Antonio Vivaldi features six of the composer’s violin concerti, in whole or in part, three being world premiere recordings, and three with part reconstructions by Olivier Fourés. Violinist Lina Tur Bonet, a professor at Conservatorio Superior in Zaragoza, is concertmistress of Musica Alchemica. The ensemble has performed Biber’s Rosary Sonatas in Vienna and Spain, and Four Seasons by both Vivaldi and Piazzolla.
In addition, the ensemble has performed Bach’s violin concertos and music from Spain and 17th c. Venice at various European festivals.

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Byrd Clarifica me Leon Berben 2008 Web FLAC

October 28, 2017, 7:12 pm
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Music | Classical | Lossless | 390.16 MB



Byrd: - Clarifica Me - Leon Berben, organ

Byrd, William (1540(?)-1623)

Byrd: A Ground, BK42
Byrd: A Ground, BK86
Byrd: A Voluntary, BK27
Byrd: Clarifica me, Pater (3 verses)
Byrd: Clarifica me, Pater_second setting
Byrd: Clarifica me, Pater_third setting
Byrd: Fantasia in A Minor (Musica Britannica, Vol. 27, No. 13)
Byrd: Fantasia in C (Bk 25)
Byrd: Fantasia in D minor
Byrd: Fantasia in G major
Byrd: Fantasia MB46
Byrd: Fantasia MB63
Byrd: Fantasia, BK13
Byrd: In Nomine, BK51
Byrd: Miserere (II), BK67
Byrd: Pavana Lachrymæ
Byrd: Praeludium to the Fancie, BK12
Byrd: Prelude in A minor (Musica Britannica, Vol. 27, No. 12)
Byrd: The Queen's Alman
Byrd: Ut re mi fa sol la

Release Date: 12/18/2007
Label: Ramee Catalog #: 704 Spars Code: n/a
Composer: William Byrd
Performer: Léon Berben
Number of Discs: 1
Recorded in: Stereo

The 15 pieces that are included here have not been specially selected for their suitability for the organ, nor does Berben even propose that the body of Byrd’s keyboard music belongs to one instrument rather than another. He does point out that organs were used in secular surroundings in Byrd’s time, and he makes all these pieces sound very well. These selections show how expressive the instrument can be, giving the player a richer palette of tone colors to work with. The small instrument in the Oosthuizen church, recently restored, may date from 1670, but some ranks of pipes are much older than that. The church was built in 1521, a date that may even tell something about the installation of the organ. Since Musica Antiqua Köln folded, Berben (its harpsichordist) has pursued a solo career. His keen sympathy for Byrd indicates that he will be worth watching.
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Rammstein Reise Reise 2005 2015 FLAC 2LP

October 28, 2017, 8:19 pm
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Music | Metal | Lossless | 423.52 MB




Artist: Rammstein
Album: Reise Reise
Country: Germany
Genre: Industrial metal
Label: Universal Music Group (DE), 2729672
Format: 2xVinyl, LP, Compilation, Remastered, Box Set, Limited Edition
Year: 2004; 2015
Quality: FLAC 16/44,1 kHz | lossless (image+.cue+covers)

Tracklist:

01. A1. Reise, Reise [4:11]
02. A2. Mein Teil [4:32]
03. A3. Dalai Lama [5:38]
04. B1. Keine Lust [3:43]
05. B2. Los [4:25]
06. B3. Amerika [3:50]
07. C1. Moskau [4:16]
08. C2. Morgenstern [4:00]
09. C3. Stein Um Stein [3:55]
10. D1. Ohne Dich [4:32]
11. D2. Amour [4:54]
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Karl Bartos Off The Record 2013 WV LP

October 28, 2017, 8:46 pm
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Music | Electro / Techno | Lossless | 289.60 MB



Artist: Karl Bartos
Album: Off The Record
Country: Germany
Genre: Minimal Electro
Label: Bureau B (DE), LP 9742
Format: Vinyl, LP, Album
Year: 2013
Quality: WV 16/44,1 kHz | lossless (image+.cue+covers)

Tracklist:

01. A1. Atomium [3:16]
02. A2. Nachtfahrt [3:30]
03. A3. International Velvet [4:39]
04. A4. Without A Trace Of Emotion [3:28]
05. A5. The Binary Code [1:43]
06. A6. Musica Ex Machina [5:16]
07. B1. The Tuning Of The World [3:33]
08. B2. Instant Bayreuth [3:38]
09. B3. Vox Humana [2:56]
10. B4. Rhythmus [4:23]
11. B5. Silence [0:06]
12. B6. Hausmusik [3:29]
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Electric Light Orchestra Flashback 2000 FLAC

October 28, 2017, 8:50 pm
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Music | Rock | Lossless | 1.34 GB

Electric Light Orchestra - Flashback (2000) FLAC

01. 10538 Overture (5:32)
02. Showdown (4:12)
03. Ma-Ma-Ma Belle (3:55)
04. Mr. Radio (5:03)
05. Roll Over Beethoven (7:48)
06. Mama (New Edit) (4:06)
07. One Summer Dream (5:21)
08. Illusions In G Major (2:41)
09. Strange Magic (4:29)
10. Eldorado Overture (2:12)
11. Can't Get It Out Of My Head (4:24)
12. Eldorado (5:18)
13. Eldorado Finale (1:29)
14. Do Ya (Unedited Alternative Mix) (4:09)
15. Mister Kingdom (5:08)
16. Grieg's Piano Concerto In A Minor (2:58)
17. Tightrope (5:23)
18. Evil Woman (4:19)
19. Livin' Thing (3:33)
20. Mr. Blue Sky (5:07)
21. Mission (Alternative Mix) (4:31)
22. Turn To Stone (3:48)
23. Telephone Line (4:45)
24. Rockaria! (3:15)
25. Starlight (4:45)
26. It's Over (3:55)
27. The Whale (5:07)
28. Sweet Talkin' Woman (3:49)
29. Big Wheels (5:32)
30. Shangri-La (5:36)
31. Nightrider (4:24)
32. Tears In Your Life (3:05)
33. Don't Bring Me Down (4:04)
34. The Diary Of Horace Wimp (4:17)
35. Twilight (3:43)
36. Secret Messages (4:38)
37. Take Me On And On (4:58)
38. Shine A Little Love (4:11)
39. Rock And Roll Is King (3:15)
40. Last Train To London (4:31)
41. Confusion (3:40)
42. Getting To The Point (4:51)
43. Hold On Tight (3:07)
44. So Serious (2:43)
45. Calling America (3:26)
46. Four Little Diamonds (4:06)
47. Great Balls Of Fire (Live At Long Beach Auditorium) (3:06)
48. Xanadu (New Flashback Version) (3:21)
49. Indian Queen (1973 Demo) (0:57)
50. Love Changes All (3:28)
51. After All (2:24)
52. Helpless (3:19)
53. Who's That? (1:26)
(213:37)

FLAC | 16bit | 44100Hz
* Tracks

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Brother Fox And The Tar Baby 1969 2009 FLAC

October 28, 2017, 9:08 pm
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Music | Rock | Lossless | 283.16 MB




Artist: Brother Fox And The Tar Baby
Album: Brother Fox And The Tar Baby
Country: US
Genre: Psychedelic rock
Label: Tone Arm (SWE), TA 0010
Format: CD, Album, Reissue
Year: 1969; 2009
Quality: FLAC | lossless (image+.cue+covers)

Tracklist:

1. Electric Chair - 4:19
2. Old Ladies - 2:56
3. Steel Dog Man - 3:47
4. Maxie The Meanie - 3:03
5. We All Love Him - 2:30
6. To Your Dreams - 3:34
7. Three Tots And A Man - 4:03
8. I Start To Cry - 3:12
9. Metal Soldiers - 4:42
10.Mr. Sleepy - 4:48
11.Crazy John - 3:54
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Hindson Violin Concerto Corigliano Red Violin 2007 FLAC Lara St John

October 28, 2017, 10:14 pm
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Music | Classical | Lossless | 413.75 MB




Hindson: Violin Concerto; Corigliano: Suite From The Red Violin / St. John

Release Date: 04/08/2008
Label: Ancalagon Catalog #: 133 Spars Code: n/a
Composer: Matthew Hindson, Franz Liszt, John Corigliano
Performer: Lara St. John
Conductor: Sarah Ioannides
Orchestra/Ensemble: Royal Philharmonic Orchestra
Number of Discs: 1
Recorded in: Multi
Length: 1 Hours 10 Mins.

This title is currently unavailable.

HINDSON Violin Concerto. CORIGLIANO The Red Violin: Suite. LISZT (arr. Kennedy, St. John) Totentanz • Lara St. John (vn); Sarah Ioannides, cond; Royal PO Read more ANCALAGON 133 (Hybrid multichannel SACD: 70:00)

Matthew Hindson based his three-movement Violin Concerto (receiving here its first recording) on three Australian scenes: the Wind Turbine at Kooragang Island, Westerway, and Grand Final Day. The first of these, he explains in his notes (the composers or arrangers have all provided copy for Ancalagon’s sumptuous booklet), makes explicit use of the turbine’s three blades as an organizing principle. The movement, pretty firmly tonal like the rest of the Concerto, sounds occasionally cinematic in the manner of Korngold’s Concerto, but with groaning timbral effects and whirlwind accelerandos. Lara St. John plays the swirling violin part with firm command of its virtuosity and sympathy for its representational intent. The second movement (the longest of the three) constitutes a sort of tribute to desolation and hope in Australia’s small towns; in comparison with the first movement, it sounds spare and bleakly lyrical, with the violin part itself generally skittishly figural or declamatory rather than singing. The third movement, graphically representing Australia’s annual sports festivities, returns jubilantly to the cinematic style of the first movement. As a set of representations, with a hint of outright programmatic allusion in the outer movements, Hindson’s ingratiating Concerto should provide enjoyable listening in St. John’s and Ioannides’s boffo reading for those who respond to such concertos as Korngold’s or even Castelnuovo-Tedesco’s Prophets.

John Corigliano’s Suite from his score to the movie, The Red Violin , hews closer to the original music for the movie than do the Chaconne and the Violin Concerto, based loosely on the same materials (Corigliano himself discusses these relationships in his notes). Its opening recalls the scene in Bussotti’s shop, with violins hanging in diffused light through which the lyrical theme (Anna’s) gradually emerges. But here it’s played by the violin at once, telescoping the movie’s gradual shift in identity from Bussotti’s wife to the violin. The solo part includes virtuosic passages in diminished-seventh chords, the bread and butter of 19th-century passagework, and brooding cadenza-like ruminations that Corigliano featured in his Caprices on the music. The solo part therefore offers possibilities for a more traditional kind of virtuosity than does Hindson’s Concerto; and St. John takes as much advantage of these opportunities as does Ioannides in the orchestral part, which exhibits the timbral ingenuity in writing for strings that elevates Vivaldi’s concertos far above their harmonic and melodic materials. If St. John doesn’t produce from her 1779 Salabue Guadagnini as pure and sweetly piercing a tone as does Joshua Bell in Corigliano’s works, she’s capable of generating considerable idiomatic excitement.


St. John mentions in the notes her regret that Franz Liszt didn’t write anything for violin and orchestra; and like Nathan Milstein, who arranged the Mephisto Waltz for unaccompanied violin, she’s done something about Liszt’s neglect. In this, she’s collaborated with composer-pianist Martin Kennedy, who reworked the orchestral part. Their arrangement sounds almost terrifying, if not as electrifying as Liszt’s original tub-thumper for piano and orchestra.

In its stereo incarnation, which I’ve reviewed, the recorded sound is well balanced and clear; given the orchestral sonorities in which all three pieces have been couched, I’d suspect the surround version to be compelling. In either case, these three compositions with strong extra-musical associations—Hindson’s hauntingly evocative triptych, Corigliano’s equally atmospheric movie score in miniature, and Liszt’s theatrical horror show should appeal broadly to general listeners—especially those with a sense of fun—as well as specifically to violin aficionados, to investigators of Australian or film music, and to Lara St. John’s followers. Strongly recommended.
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VA Popular Dance 90s 2017 MP3 320 kbps

October 28, 2017, 10:30 pm
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Music | Other | Other quality | 932.33 MB






Tracks: http://bit.ly/2xvjOkn

Music site Torrents : http://bit.ly/2sTwTUD
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VA Pure Trance vol 6 Mixed By Solarstone Robert Nickson Factor B 2017 MP3 320 kbps

October 28, 2017, 10:36 pm
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Music | Other | Other quality | 943.05 MB




Tracks: http://bit.ly/2zOtEi4

Music site Torrents : http://bit.ly/2sTwTUD
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VA Women In Rock 2017 MP3 320 kbps

October 28, 2017, 10:40 pm
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Music | Other | Other quality | 552.85 MB





Tracks: http://bit.ly/2icij4l

Music site Torrents : http://bit.ly/2sTwTUD
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Ali and Nino 2016 1080p BluRay H264 AAC

October 28, 2017, 10:49 pm
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Music | Other | Other quality | 1.92 GB




imge: http://bit.ly/2zgaiX5


Movies site Torrents : http://bit.ly/2sTwTUD
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Yes 1977 Going For The One FLAC vinyl 24 48 80s reissue Atlantic ATL 50379

October 29, 2017, 1:41 am
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Music | Rock | Lossless | 446.15 MB




24/48 vinyl rip. 80s reissue. Atlantic Records ATL 50 379. LP made in Germany.

Side 1
1. Going For The One
2. Turn Of The Century
3. Parallels

Side 2
1. Wonderous Stories
2. Awaken

Going for the One is perhaps the most overlooked item in the Yes catalog. It marked Rick Wakeman's return to the band after a three-year absence, and also a return to shorter song forms after the experimentalism of Close to the Edge, Tales from Topographic Oceans, and Relayer. In many ways, this disc could be seen as the follow-up to Fragile. Its five tracks still retain mystical, abstract lyrical images, and the music is grand and melodic, the vocal harmonies perfectly balanced by the stinging guitar work of Steve Howe, Wakeman's keyboards, and the solid rhythms of Alan White and Chris Squire. The title track features Howe on steel guitar (he's the only prog rocker who bothers with the instrument). "Turn of the Century" and the album's single, "Wonderous Stories," are lovely ballads the way only Yes can do them. "Parallels" is the album's big, pompous song, so well done that in later years the band opened concerts with it. Wakeman's stately church organ, recorded at St. Martin's Church, Vevey, Switzerland, sets the tone for this "Roundabout"-ish track. The concluding "Awaken" is the album's nod to the extended suite. Again, the lyrics are spacy in the extreme, but Jon Anderson and Squire are dead-on vocally, and the addition of Anderson's harp and White's tuned percussion round out this evocative track. - Ross Boisonneau, AMG
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Bob Nieske 10 2013 Fast Track FLAC CIMP 396

October 29, 2017, 1:50 am
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Music | Jazz | Lossless | 318.26 MB



Creative Improvised Music Projects CIMP #396.

1 Fast Track 6:05
2 O'Daat 8:55
3 Simplifying Simple Flying 4:59
4 Big Wolf 6:38
5 Flatline 11:25
6 Heart 9:22
7 Major Blues 7:18
8 For Jimmy ... 8:30
9 There's A Bus That's Leaving Soon For Alban Berg's House 7:53

Tom Hall: baritone saxophone
Bob Nieske: bass
Bob Tamagni: drums
Jon Damian: guitar
Allan Chase: soprano & alto saxophones
Tony Carelli: tenor saxophone
Jeff Galindo, Phil Swanson: trombones
Ken Cervenka, Phil Grenadier: trumpets

Bassist Bob Nieske, whose earlier apprenticeship in the 1980's recordings of Jimmy Giuffre, and George Russell paid off in this recording of 9 original tracks by his band '10'. Referential without being derivative, this is writing and arranging that deserves attention. The proof is in the listening.
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Brian Landrus 2009 Forward FLAC Cadence Jazz 1218

October 29, 2017, 1:58 am
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Music | Jazz | Lossless | 328.59 MB



Cadence Jazz Records CJR 1218.

1 Ask Me Now 6:35
2 The Stream 8:40
3 Shadows 8:47
4 To Love And Grow 5:03
5 Classification 9:38
6 Forward 5:36
7 Beauty Of Change 4:39
8 Interpretations 2:25
9 Destination 5:59

Allan Chase: alto saxophone (6,7,9)
Brian Landrus: baritone saxophone (1,2,5,7,8), bass clarinet (3,6), alto flute (4,9)
John Lockwood: bass (1 to 7)
Rakalam Bob Moses: drums, percussion (1 to 7, 9)
Tupac Mantilla: percussion (2 to 6, 9)
Michael Cain: piano (1 to 6)
George Garzone: tenor saxophone (2,7)
Jason Palmer: trumpet (5,6,9)

Forward is a magical sonic journey charted by reeds and woodwinds master, Brian Landrus and explores the tonal depths of the ocean of sound that fewer saxophonists seem to traverse these days. Landrus plays baritone saxophone and bass clarinet on this adventure in sound, as well as alto flute, all of which makes for a breathtaking palette of colors when he is done. Landrus is a poet who has a mastery of tone, something he explores with gravity and a very gentle swing. His voice is singular, just a tad tremulous as he expels hot breath from deep within his guts, dallying over choice notes in a phrase. Landrus rushes arpeggio-like through other notes as he makes them shimmer and ripple in line after line. Sometimes he murmurs low down inviting his bassist and drummer to join him as he creates an orchestral kind of pedal point to propel the rest of the tune.
On this magnificent set, Landrus is joined by Harald Genzmer on tenor saxophone, Allan Chase on alto saxophone and Jason Palmer on trumpet. This trio enables Landrus to polish the melodies of his songs until they have a burnished glow to them. Pianist Michael Cain shimmers just below the surface, animating the harmony with ingenuity; on Thelonious Monk's plaintive "Ask Me Now," he adds a minimal but exquisite solo, which breathes as it darts and probes the expanding boundaries of the song. Bassist John Lockwood sways and punctuates the melody with harmonic grandeur. Drummer Bob Moses expounds his wizardry time and time again throughout the set, especially in his superlative brushwork on the Monk chart. Percussionist Tupac Mantilla provides the added color.
Landrus displays an epic narrative style of writing here, often accompanying the sonic tapestry with visual elements traced out of dense clouds of sound and color. On "The Stream," the power and fluid movement of a source of a larger river is captured in a frieze and then released as it charges over silt and stone, ever onward. "Shadows" navigates its way constantly through dark and light as Landrus' crepuscular introductory statements brighten. Then Michael Cain cracks open the sky to reveal a tableau of dancing shadows when the bass clarinet returns with arco bass and thundering percussion. "To Love and Grow" is a svelte ballad that swaggers sensuously in and around the alto flute, punctuated by Moses' brushes and the tinkling of Mantilla's bells, shells and sundry gourds. And so on, from one graphic beauty of a track to another, until the set reaches—literally—its "Destination," another choppy number led by the percussionists.
Brian Landrus is a voice to watch out for as he charts a creative course in contemporary music. What sets him apart is the lyricism of his compositions and his ability to tell interesting, vividly illustrated stories. This album serves as a happy omen of what should surely follow in the near future as Landrus' star begins to rise ever so majestically. - Raul D'Gama Rose, All About Jazz
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Ingrid Laubrock Tom Rainey 2016 Buoyancy FLAC Relative Pitch 48

October 29, 2017, 2:03 am
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Music | Jazz | Lossless | 190.21 MB



Relative Pitch Records RPR1048.

1 Buoyancy
2 Twenty Lanes
3 The Museum Of Human Achievement
4 Thunderbird

Tom Rainey: drums
Ingrid Laubrock: tenor & soprano saxophones

In baseball it's called "small ball." That might be the best way to describe the improvising duo of saxophonist Ingrid Laubrock and drummer Tom Rainey. Small ball baseball teams win, not by home run blasts, but by putting runners in scoring position, bunting, and stealing bases. Flamboyant rarely wins the series. Confident, often understated play, is what connoisseurs of both baseball and improvised music seek.
The partners in music here are also partners in life. Maybe that explains their agreeable interplay. Rainey, a longtime fixture in the jazz world, has been the foundation of diverse bands led by Tim Berne and Fred Hersch. Since he began collaborating with Laubrock, he can be found in her bands Sleeptheif, Anti-House, Ubatuba, and the Ingrid Laubrock Octet. The saxophonist joins Rainey in his trio with guitarist Mary Halvorson, and have released three stellar discs.
This live recording follows the partners initial studio session And Other Desert Towns (Relative Pitch, 2014). It continues to build upon a solid infrastructure where simple gestures carry the day. The title track doesn't so much announce itself as back onto the stage. Rainey's whispered cymbal work begets the hushed tones of Laubrock's tenor. The pair build, not so much tension, as an edge. Rainey mixing his complex rhythms against the ultra-supple agility of the saxophonist's tone. As the piece hits it's zenith, you understand they will deliver your ears back, safe and sound. The longest piece, "Twenty Lanes," begins with brushes and, is that crinkled paper? The momentum inches toward sticks, then the drum, and Laubrock juxtaposes some Evan Parker—sounding lines against Rainey's off-centered sounds. Let's call this music, the capture and release of beautiful creatures. - Mark Corroto, All About Jazz
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experimental abstract ambient Maurizio Bianchi 1983 The Plain Truth FLAC 2000 Remaster

October 29, 2017, 2:10 am
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Music | Other | Lossless | 165.61 MB



2000 Remaster with interview bonus track. EEs'T Records 11MB011. Originally released in 1983 as Broken Flag Records BFV3.

1 The Plain Truth 24:43
2 M.B. 55 T.D. 56 24:09
3 M.B. Interview 13:42

The Plain Truth continues the series of reissues dedicated to the undisputed master of Italian Noise and Experimental Music. It is one of the best entries in Maurizio Bianchi's ever-growing discography. Originally released in the U.K. as a 500 copies limited edition LP by Broken Flag in 1983, the album is a strong but very accessible work where Bianchi pays his homage to the German Cosmic Couriers of the Seventies. "Dedicated to all the redeemed people", "The Plain Truth" offers two long tracks of layered synthesized sounds treated with vintage effects that depart from his previous more aggressive works and is one of his earliest experiments in desolate and dark electronics. The title track is led by elaborate electronic textures that float above an intense soundscape, it has an absolute claustrophobic feeling, and is as creepy as mysterious. The rest of the album consists of more transcendent ghostly droning sequences with long and immersive synth lines. This "visceral" emotive music of the highest quality will appeal to fans of Tangerine Dream, Thomas Koner, Klaus Schulze, Lull, Cranioclast, etc. - Boomkat
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